The Giant Chicken
We rented a motor scooter and headed out of town to find the giant chicken-- not a living one but a statue-- located in the Chicken Village. We climbed hills covered with pine trees which looked down over fields of vegetables. Purple morning glories grew by the road.
We didn't have directions except for a small map of the Dalat area with the words “Chicken Village 18km” and an arrow pointing down a road off the map. This could mean the village was on that road or it could mean it was down another road leading off of it. We hoped we'd see the giant chicken from a distance and be guided in that way. The LP book said the Chicken Village's name was “Lang Dinh An”. I saw a sign on the road that said something in Vietnamese and “Dinh An”, so we asked at a cafe. Of course, no one spoke English and we don't know any Vietnamese so we mimed something large and did a chicken impersonation (imchickenation) complete with clucking noises to express “Chicken”. A woman seemed to say we should take the left branch on the road.
The road split and the branch to the right went under the highway going to the left. The left road which we took ended up going straight onto the highway, past a “no motorcycle” sign. We continued on the highway noticing several other motorcyclists ignored the sign as well. Scanning both sides of the road, we searched for a chicken rising above the houses around it. At a bit past the 18th km from Dalat I saw the statue off a ways to the left. At this point we realized there didn't seem to be any offramps from the highway. We probably went 10 km more before we found a split in the divide (complete with no U-turn sign) where we could turn around and head back. We found a dirt path which seemed to be a homemade motorbike offramp to the village, but the path was too rough and rocky for our scooter (which was low to the ground), so we had to get back on the highway. A little farther on we saw another dirt road “offramp”. It seemed to lead to a better quality road that ran parallel to the highway.
A butterfly near the dirt path
The road seemed to get better and to our surprise a local spoke English decently and confirmed that it led to a paved road which after 5km would bring us to the Chicken Village on the left. “Look for the big chicken,” he said. 5 km up the road we still didn't see the chicken. We went a bit further and asked a woman. I said, “Ga” (chicken) and made “big” gestures. She said, “Ga!” and pointed further. We continued on and eventually came to the street we'd missed by getting on the highway. I had been congratulating myself on what I had thought was a successful example of communication but was disappointed to see she evidently had no idea what I had been asking and thought we were looking for the highway.
We turned back and asked some kids making clucking noises in case, as it seems, I didn't get the tone right for “ga” and was actually saying something completely different. (Vietnamese is a tonal language so one word, for example “ga” can have several completely different meanings depending on how it is said... with a high tone, a falling tone, rising tone, etc.) One gave us some detailed directions in Vietnamese but his gestures seemed to suggest that we were going in the right direction and would find the chicken on our right. Soon we were almost back to where we had left the dirt road. So we turned and headed back. We asked a woman who spoke some English. She said go 1 km and it was down a road to the left. As further clarification she said the road was by a house. Not the most helpful of directions since most of the buildings around were either houses or shops or a combination of the two. This time between the 18 and 19km Dalat signs I asked a man. He gestured to take a road that went parallel to the road we were on, turn left then left again (back tracking). We did this and finally I saw the chicken statue through the trees. It is larger than the houses around it, and carefully sculpted from concrete.
Chicken towering over the village
A woman from a weaving shop across from the chicken greeted us in English asking where we were from and inviting us into her shop. We said we'd come have a look after paying homage to the giant chicken. We parked by her store under a tree occupied by an unfortunate looking monkey with a collar attached to a chain which was attached to the tree. The monkey appeared to be trying to hang himself, and swung from the chain around his neck. Eventually either he found his efforts unsuccessful or he had some epiphany and decided life was worth living after all and pulled himself back on the branch.
As Rowshan was busy taking chicken photos, I went to look at the shop. It was in a simple wood house and had a long narrow loom set up in the middle. The woman, Karol, complimented me as I walked in, “You have a beautiful nose. Its long”. I thought this an odd compliment but I did notice her nose was little and flat making mine in comparison, quite long. I liked her friendly manner even if it was only to get me into her store.
Karol served tea and showed me how she wove as well as some of the pieces. “Half cotton, half silk. You don't have to buy. Just look.” She showed me some cute round zipped bags that when unzipped became backpacks. There were some other bags as well I admired the practicality of their design. I asked where the designs came from and she said they were designed in the village and the head of the village chose what would be produced. The weaving was done by people in the village as well as other villages by Chal, K'Ho, Ma and Cham ethnic groups. The chicken village residents were mostly K'Ho. I asked her why the chicken statue was made. “You don't know the story?” she asked. “There is a story in this town.” She told me how in the village girls choose their husband instead of the boys choosing the girl. Then the girl had to ask the boys family how much of a dowry she must provide. In the old days a husband could be bought for a chicken (Now, however, the price has gone up to a water buffalo.”
Karol weaving
A girl from a poor family was in love with a boy from a wealthier family. She asked the family what the price was. The boy's family said she had to give them a chicken with nine spurs (The statue has 9 spurs-- 4 on one leg, 5 on the other.) The girl realized they said this because they didn't like her and a 9 spurred rooster would be very expensive and hard to find. She went to the forest in the hills to try to find one and died. For this reason the town made a statue in her memory. I'm not sure if this is the real reason or just something made up for tourists. The rooster statue isn't that old and perhaps the real reason it was built was to lure tourists out. Anyway, I told her Rowshan's giant chicken story. She was surprised when I said he was my husband of 8 years. “A woman married 8 years here would have 8 children-- one each year.
The 9 spurred giant chicken
One of the kids from the village
She also told me how in the village the men worked in the fields but the women kept the money and the men had to ask the women for money when they needed it. The groom would move in with the bride's family and take the bride's family name. I thought women having control over the money was wise.
Women at a shop
I enjoyed talking to Karol and was happy to purchase a clever little bag (perfect size for my notebook, a pen, local money and other useful things) and a shirt for Rowshan.
Rowshan posing in his new shirt
We stopped by a pho place on the main road for lunch. After numerous communication difficulties, we ordered 2 bowls of pho and the woman told us to have a seat. Then we ordered a couple glasses of coffee. The coffee came but the woman showed no signs of making pho. After waiting a bit we asked her again and had to completely repeat our previous conversation-- checking price and ordering--wondering why she asked us to sit down if we hadn't actually ordered the first time. A mechanic from next door and an older woman were also hanging out at the cafe-- not eating or drinking. I think they were there to watch TV or perhaps us. Football was on TV so Rowshan decided to try a conversation with the man using the universal language of football. He said, “football” (with kicking motions). Then tried to evoke a response saying “Vietnam” and “Thailand” since Vietnam had recently beat Thailand. The man seemed to completely misunderstand and perhaps thought Rowshan didn't like football so he changed the station. The other station's picture was wavy and bad. He looked at it sorrowfully as if trying to please Rowshan by changing the station but finding no other station that worked. We reassured him “football Good!” and eventually convinced him to change it back.
We drove up another road just to look at the forests and fields. Turning back we stopped at a strange concrete stone structure with faces and log shapes as well as a toothbrush holder. There were also several concrete chairs. I was reminded of rural areas in the US where people carve sculptures of bears and Indian chiefs from big logs.
Fields near Dalat
View of fields and hills
Odd concrete functional art
As we were puzzling over this, 2 French girls drove up asking us if we knew where the Chicken Village was. They'd been searching for about 2 hours. We gave them instructions and then headed to the Datanla falls. The parking lot had several tour buses and lots of motorcycles. The ticket booth was a concrete sculpture of what looked like two basket-woven cups. There was a gold statue of a woman and baby by the entrance arch and another ticket booth for a roller coaster ride to the falls.
“This does not bode well,” I guessed. We took the set of concrete steps through a forest passing the winding track of the roller coaster and manicured gardens. The falls were one of those places that make one sorry to be paying admission once you see what the money is going to. The falls were pretty but a path made of conc
rete tree stumps led to a concrete bridge full of people posing for photos. Next to the falls there was a concrete tiger and eagle.
Tacky concrete statues
There were souvenir shops, and a place to rent minority clothing to wear for photos. We climbed a path up to the top of the falls and found a little bit of peace before groups of young guys puffing cigarettes reached there. Disappointed at how people can't seem to appreciate natural beauty for what it is and instead feel they must cover it with concrete, we walked back up the hill (passing the young wheezing cigarette smoking locals).
Top of the Datanla Falls